{"id":54300,"date":"2021-03-23T18:54:32","date_gmt":"2021-03-23T22:54:32","guid":{"rendered":"https:\/\/peabody.jhu.edu\/?page_id=54300&#038;preview_id=54300"},"modified":"2025-02-28T15:14:59","modified_gmt":"2025-02-28T20:14:59","slug":"opera-for-now-opera-for-everyone","status":"publish","type":"page","link":"https:\/\/peabody.jhu.edu\/life-at-peabody\/career-services\/student-alumni-stories\/creative-wire\/opera-for-now-opera-for-everyone\/","title":{"rendered":"Mar. 23, 2021"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Opera for Now &#8211; Opera for Everyone<\/h2>\n\n\n\n<p><strong><em>Strange Trace&nbsp;focuses on the creation&nbsp;of&nbsp;new&nbsp;operas&nbsp;and&nbsp;expanding&nbsp;access&nbsp;to the art form.<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left\">Mar. 23, 2021 | by Michael Manganiello<br><em>Edited by Carolyn Dzul<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center is-style-default is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em><span style=\"color:#002d72\" class=\"tadv-color\">&#8220;An event is not what occupies the front page of the newspaper. We&nbsp;don\u2019t&nbsp;know how to explain it or even to name it. And yet, if it occurs it must touch some \u2018surface\u2019 where it leaves its trace: a consciousness, an unconsciousness, individual or collective. Perhaps it even had to invent this surface&nbsp;in order to&nbsp;leave such a trace. It is a&nbsp;<strong>strange trace<\/strong>.&#8221;<\/span><\/em><\/p>\n<cite>&#8211; JEAN-FRANCIOS LYOTARD<\/cite><\/blockquote>\n\n\n\n<p>Amid the coronavirus pandemic&nbsp;and the uncertain future of the theatrical experience, six innovative artists joined forces to create&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.strangetrace.org\/\" target=\"_blank\">Strange Trace<\/a>,&nbsp;an opera company&nbsp;whose mission is&nbsp;<strong>opera for now \/ opera for everyone<\/strong>.&nbsp;I spoke with Peabody student&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.joshuascheid.com\/\" target=\"_blank\">Joshua Scheid<\/a>&nbsp;(DMA, voice), who is one of the founding members of Strange Trace, to find out more about&nbsp;the concept&nbsp;and development&nbsp;of&nbsp;the company,&nbsp;as well as&nbsp;their&nbsp;mission and creative process.&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"763\" height=\"440\" src=\"https:\/\/peabody.jhu.edu\/wp-content\/uploads\/2021\/03\/StrangeTracePic.png\" alt=\"\" class=\"wp-image-54334\" style=\"width:591px;height:341px\" srcset=\"https:\/\/peabody.jhu.edu\/wp-content\/uploads\/2021\/03\/StrangeTracePic.png 763w, https:\/\/peabody.jhu.edu\/wp-content\/uploads\/2021\/03\/StrangeTracePic-300x173.png 300w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/figure><\/div>\n\n\n<p>Strange Trace was formed by six friends who&nbsp;met at the Boston Conservatory where they studied contemporary music, vocal performance, and composition.&nbsp;Seeking to create a more just world&nbsp;through relevant&nbsp;and&nbsp;meaningful art, they began to brainstorm over several Zoom sessions on a plan to launch&nbsp;and&nbsp;organize long-term projects.&nbsp;&nbsp;<\/p>\n\n\n\n<p>On&nbsp;July 15, 2020,&nbsp;Strange Trace premiered on YouTube with&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=AecrthC5F7I\" target=\"_blank\"><em>See You Today<\/em><\/a>, which was composed by Scheid&nbsp;in 2018.&nbsp;<em>See You Today&nbsp;<\/em>was originally composed for&nbsp;solo vocalist and projected text&nbsp;in six scenes. With a roster of six performers, and&nbsp;a new method of text display,&nbsp;Scheid was able to adapt the piece easily to fit both the company and the virtual platform.&nbsp;Scheid mentions that&nbsp;\u201cthis was an opportunity to test the waters of building&nbsp;a production&nbsp;for the internet&nbsp;by learning and workshopping&nbsp;audio\/video editing,&nbsp;as well as&nbsp;virtual&nbsp;audience outreach&nbsp;and engagement.\u201d&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=Oaxm4nflPjI\" target=\"_blank\">Emails from Gary<\/a>&nbsp;<\/em>premiered two months later&nbsp;in a similar fashion, seamlessly transforming a&nbsp;staged work to the computer screen. Whereas most operatic works exist in the moment on stage, or those that are filmed and streamed require a paid subscription,&nbsp;both of these&nbsp;works&nbsp;remain&nbsp;available&nbsp;online for free.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"See You Today\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/AecrthC5F7I?start=1&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n\n\n\n<p>While&nbsp;<em>See You Today&nbsp;<\/em>and&nbsp;<em>Emails from Gary&nbsp;<\/em>were composed prior to Strange Trace\u2019s formation, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=cnxOGaWea1E\" data-type=\"URL\" data-id=\"https:\/\/www.youtube.com\/watch?v=cnxOGaWea1E\" target=\"_blank\"><em>The Missing Piece<\/em><\/a>&nbsp;marked&nbsp;their first&nbsp;performance of a&nbsp;newly composed work.&nbsp;This piece was composed by the members of Strange Trace and was specifically&nbsp;designed for&nbsp;a performance over&nbsp;Zoom.&nbsp;In this piece, \u201csix employees of a puzzle company meet on Zoom during the COVID-19 quarantine, but no one knows who set up the meeting. And why is everyone singing?&#8221;&nbsp;With&nbsp;works like&nbsp;<em>The Missing Piece<\/em>, the group hopes to reach audience members&nbsp;through timely&nbsp;themes and accessible platforms like YouTube.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Missing Piece: Teaser Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/YIb2ZWI87XQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Whilst&nbsp;creating and&nbsp;virtually staging these performances, members also focused on the&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.strangetrace.org\/stencils\" target=\"_blank\">Stencils Festival<\/a>, which is set to&nbsp;premier in spring 2021.&nbsp;Scheid based the format of&nbsp;<em>Stencils&nbsp;<\/em>off of&nbsp;the&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/peabody.jhu.edu\/academics\/instruments-areas-of-study\/voice\/opera\/new-opera\/\" target=\"_blank\">Opera \u00c9tudes<\/a>&nbsp;program at Peabody.&nbsp;Through&nbsp;<em>Stencils,&nbsp;<\/em>the group&nbsp;is excited to workshop new&nbsp;operas, and uplift&nbsp;underrepresented voices in the field of composition.&nbsp;In line with their goal of&nbsp;<strong>opera for now<\/strong>, the group put out an international call for proposals for newly conceptualised pieces. The response was very successful, and after deliberations and interviews,&nbsp;the line up&nbsp;now features a&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.strangetrace.org\/collaborators\" target=\"_blank\">diverse roster of&nbsp;collaborative&nbsp;talent<\/a>&nbsp;from around the world. Strange Trace plans to make&nbsp;<em>Stencils&nbsp;<\/em>an annual event, incorporating&nbsp;in-person workshopping and tours in the future.&nbsp;<\/p>\n\n\n\n<p>In addition to&nbsp;brainstorming&nbsp;projects and performances,&nbsp;Scheid&nbsp;mentioned&nbsp;the&nbsp;importance of designing the&nbsp;group\u2019s identity early in&nbsp;its&nbsp;creation.&nbsp;The members of Strange Trace&nbsp;discussed who they wanted to be as an opera company, and&nbsp;how their&nbsp;formative&nbsp;experiences in their careers&nbsp;shaped them as artists and collaborators. Their&nbsp;<strong>opera for everyone<\/strong>&nbsp;mindset is found in their core values of justice and access, as&nbsp;stated&nbsp;in their mission statement:&nbsp;&nbsp;<\/p>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em><span style=\"color:#022d72\" class=\"tadv-color\">&#8220;We&nbsp;are committed to imagining a more just world and, through our actions, to work toward that justice. We believe that institutional barriers to access to the arts is an injustice and that creating a space for artistic expression and reception that is welcoming, supportive, and affordable is paramount.&#8221;<\/span><\/em><\/p>\n<\/blockquote>\n\n\n\n<p>The current virtual-only format&nbsp;has been&nbsp;a valuable way for the group to increase access to their art. While they greatly look forward to&nbsp;expanding their platform to in-person events, the virtual events&nbsp;hosted on their YouTube page&nbsp;have&nbsp;reached&nbsp;audiences far and wide.&nbsp;Stencils and other future performances will be ticketed events, but the group pledges to reserve need-based comp tickets so that they continue to remain affordable and&nbsp;approachable.&nbsp;On the topic of accessibility, Scheid says \u201caccess isn\u2019t about reducing complex and challenging material in music &#8211; it\u2019s about&nbsp;understanding where your audience&nbsp;is, and&nbsp;providing them a means to come to an understanding of your work.\u201d On top of expanding their&nbsp;performance&nbsp;repertoire&nbsp;Strange Trace&nbsp;hopes&nbsp;to grow their repertoire of ways to build bridges of understanding, whether&nbsp;that\u2019s&nbsp;through&nbsp;exploring the use of subtitles or program notes, featuring interviews with composers and librettists,&nbsp;or&nbsp;developing&nbsp;new&nbsp;outreach and engagement&nbsp;initiatives.&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Meet the Composer: Joshua Scheid\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/DuMIhLGIlBI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em><span style=\"color:#002d72\" class=\"tadv-color\"><em>&#8220;Strange Trace understands that we are new on the scene, and with that comes challenges and opportunities when<\/em><\/span> i<span style=\"color:#002d72\" class=\"tadv-color\">t comes to advocating for and working towards justice. While we may not have the resources and social gravity of larger, more established institutions, the timing of our inception allows\u2014indeed commands\u2014us to include practices of justice within the very foundation of our work. Our core values as an institution reflect this, and we will work to hold ourselves accountable to them.&#8221;<\/span><\/em><\/p>\n<\/blockquote>\n\n\n\n<p>To keep up with the exciting innovations of Strange Trace, be sure to visit&nbsp;their&nbsp;website, sign up for their newsletter, and follow them&nbsp;on their social media pages.&nbsp;<\/p>\n\n\n\n<p>Instagram: @strange_trace&nbsp;<br>Twitter: @OperaTrace&nbsp;&nbsp;<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/strangetraceopera\" target=\"_blank\">Facebook<\/a>&nbsp;<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/channel\/UCC0Dp9MFRpzXaEls3IvC1sw\" target=\"_blank\">YouTube<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n\n\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>Opera for Now &#8211; Opera for Everyone Strange Trace&nbsp;focuses on the creation&nbsp;of&nbsp;new&nbsp;operas&nbsp;and&nbsp;expanding&nbsp;access&nbsp;to the art form. Mar. 23, 2021 | by Michael ManganielloEdited by Carolyn Dzul &#8220;An event is not what [&hellip;]<\/p>\n","protected":false},"author":89,"featured_media":0,"parent":52534,"menu_order":413,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-54300","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/peabody.jhu.edu\/wp-json\/wp\/v2\/pages\/54300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/peabody.jhu.edu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/peabody.jhu.edu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/peabody.jhu.edu\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/peabody.jhu.edu\/wp-json\/wp\/v2\/comments?post=54300"}],"version-history":[{"count":44,"href":"https:\/\/peabody.jhu.edu\/wp-json\/wp\/v2\/pages\/54300\/revisions"}],"predecessor-version":[{"id":94101,"href":"https:\/\/peabody.jhu.edu\/wp-json\/wp\/v2\/pages\/54300\/revisions\/94101"}],"up":[{"embeddable":true,"href":"https:\/\/peabody.jhu.edu\/wp-json\/wp\/v2\/pages\/52534"}],"wp:attachment":[{"href":"https:\/\/peabody.jhu.edu\/wp-json\/wp\/v2\/media?parent=54300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}